Like my art, my selling is limited, unique and personal. I have no automated "shopping cart" or quick link to a sale. You will receive a customized certificate with your name, other information and my signature adhered to the back of the print. This can assure you that your purchase is unique.
So, to order a print please use the email link in contact , and provide the following information: Your name and contact information, the name of the piece you want to buy, and preferred payment method (I can take a credit card by phone or a check by mail).
The pieces are printed on the very heavy weight, highly textured, yet glossy, Hahnemuhle photo rag metallic paper. This paper has an iridescence and bold luminosity that makes it comply perfectly with my vision of how this art should be appreciated.
Currently, I have 24" x 18" prints on aluminum panels for $1,200 per each, as well as, 12" x 9" on Metal Panels for $700
I am happy to make the same sizes with only a piece of foam core backing so you can have it framed in your own way for $600 and $400, respectively.
If you want to have other sized prints or have other ideas about how you would like to use the images you see here, in other media, let's talk. Send me an email and we can begin a conversation.
Each print is made with a "frame"(stroke) around the image and big white borders. Though I do make black borders around some images. We can discuss this, if I am making a custom print for you. There is also the title and my name below each print.
What a print with white borders is like:
(minus the internet watermark, of course)
An example of the certificate of authenticity:
The work I am producing, though photographic and printed with computer printers, is for all intents and purposes a "hand" process. unlike factories that produce prints for photographers, the work I print, personally, is proofed, tweaked and worked until it just comes out right. in addition, I, as an artist, don't stop tweaking, so that each individual print, is invariably unique in at least some small, but noticeable way, and, though duplicated very closely to the previous prints, is distinguishable from the previous prints. so I would consider each "final" print an "artist's proof", as time goes on, and with some luck, perhaps someone would want an Edition, in which case, I would produce a given number at once, making all of them the same but with a noticeable difference from the previous prints I've made. So, not only is the printing done on archival inkjet substrate and archival pigment inks, it is done with the collector in mind and, more importantly, to satisfy my artistic need to play with the work so it can be revealed in multifaceted ways.
